Before I started playing, but after the amp was turn on and warmed up, it was so quiet that I though I had inadvertently turned it off or hit the standby switch.Īs I said at the beginning, the previous owner had added NOS GE power tubes. The amp can get pretty loud, but I haven't opened it up fully yet.Īt the same time, the amp is the quietest amp I own. ![]() The amp also has a nice spring reverb but I barely use reverb, sometimes just a touch to add some dimension. ![]() The Rambler has a great tremolo, and reminds me of the tremolo in my Goodsell amps, which to me have the finest tremolos I've ever heard. But, I found that when pushed in either triode (14W) or pentode (28W) mode, it does have a pleasing driven sound. This amp has a well deserved clean reputation. ![]() But, YouTube has a slew of recordings of this and the other Carr models. Nick, sorry, I have no way to create a recording of how it sounds. I do like to change out speakers, so who knows what I'll end up with. I've also seen some Ramblers with Eminence Wizards. I understand new ones now come with Eminence Elsinore speakers. In 2005-6, Carr stopped using the Kingpin when the speaker's basket maker went out of business. I know it is a ceramic speaker, but that's about all I do know. Oddjobb, the stock speaker is an Eminence Kingpin 60. But even before that, we have a pretty similar style of playing because we pretty much grew up together playing guitar.Thanks all. LePage adds, “Recently we’ve tried to lock in on it together. So, that means when I’m learning Scott’s parts for the new music, I need to sit there and listen to every single inflection that he’s making, whether he’s sliding downwards or sliding upwards, or he’s slightly behind the beat, or anything.” What we wanted to do for this tour was kind of pick apart each unison section or each harmony section, and be like, ‘You’re sliding like this, you’re bending like this, I’m bending like this, let’s do the same thing.’ For the new music, we’re kind of just like sticking to what the record is. In the past we’ve had a hands-off approach where I learn the part my way, he learns the part his way, and we just go on tour without much thought. Henson says, “On this last tour we wanted to fix a lot of things in that regard. This creates a level of detail that is a key to the Polyphia formula. They’ve made a conscious effort to go beyond just nailing the notes, but also matching every single detail of their unison and harmony parts. She was like, ‘We’re making an alphabet song,’ and wrote the song in like two hours.” “I was like, ‘Yeah, try it.’ She hit ( sings alphabet from A to Z), and we slowed it down so we could hear how it fit. ![]() The Vocaloid is really fast, like it’s programmed vocals-you could make it say whatever you want, and you can make it ungodly fast.” So, Henson asked Black to sing every note of the 26-note riff, and the singer suggested simply singing the alphabet. And I wanted to recreate that with my own song, so I started the guitar riff inspired by that, and brought it to the session because I knew that Sophia speaks Japanese. “I’d done this TikTok of a Vocaloid song where I kind of just played the Vocaloid part on guitar, and it went viral and was, like, a big TikTok moment. I didn’t know that she could do that,” he recalls. “I’ve known Sophia for a while, and I’ve known that she’s very talented. During his last three months in L.A., he booked sessions with people he needed to do sessions with before he left town. After a four-year stint living in L.A., last year he decided to move. When Henson summoned Black for a collaboration, the guitarist was going through a major transition in his life.
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