All new trope pages will be made with the "Trope Workshop" found on the "Troper Tools" menu and worked on until they have at least three examples.Pages that don't do this will be subject to deletion, with or without explanation. ![]() All new pages should use the preloadable templates feature on the edit page to add the appropriate basic page markup. All images MUST now have proper attribution, those who neglect to assign at least the "fair use" licensing to an image may have it deleted.Failure to do so may result in deletion of contributions and blocks of users who refuse to learn to do so. Before making a single edit, Tropedia EXPECTS our site policy and manual of style to be followed.The band hit the road after wrapping up the record and have been on their most intensive touring cycle ever since. New Orleans native, Aaron Hill (Mountain Of Wizard, Missing Monuments), took over for Joseph LaCaze without missing a beat, both figuratively and literally. Fortunately, LaCaze’s drum tracks were captured by Anderson and appear on the album, creating the definitive tribute for the member of the band who encapsulated best just what EYEHATEGOD was all about seriously not taking yourself too seriously. Enough can’t be said of the loss felt by the band, family and friends. An outpouring of condolences and tributes spread online. Both Anselmo and Berrigan helped draw out the missing pieces to one of underground metal’s most anticipated albums in years.Īn unexpected tragedy occurred shortly upon returning home from a recent five-week European tour in the Fall of 2013: Joey LaCaze passed away due to respiratory failure. A few months later, the band reconvened at longtime friend Phil Anselmo’s home studio with producer Stephen Berrigan (Down). The session saw both producer and band not quite on the same page and at the end, the album was unfinished. The recording process for Eyehategod started with producer Billy Anderson back in the fold (he recorded 1996’s Dopesick). They were touring more than ever and used that time and energy to work on an album’s worth of songs. When the band released its first new track in over a decade, “New Orleans Is The New Vietnam,” it was clear that nothing about the band had changed. Today, EYEHATEGOD sounds as fresh and innovative as ever. The band’s second album, 1993’s Take As Needed For Pain is the pinnacle album that other bands of this genre to this day try to reach. Today, that style might sound somewhat commonplace. “Black Sabbath mixed with Black Flag with a little bit of Skynyrd and the element of blues thrown in there,” Bower once said of the band’s sound. All combined, the music is the most genuine, distressing cacophony of sound around. Singer Mike IX Williams has always been able to encapsulate the ruins of life through his lyrics and vocal delivery. Drummer Joey LaCaze grooved and held it together with numerous bass players throughout the years, doing so impeccably with Gary Mader over the past decade. No one riffs like Jimmy Bower and former guitarist Brian Patton, who left the band amicably earlier this year following the birth of his second child. Whether it was them playing nothing but feedback to a bewildered White Zombie crowd during their opening stint for the arena metal band in the mid-nineties, being banned from a certain venue for attacking a promoter with a barstool or cleaning out entire small towns of their drug supply, these stories spread throughout the metal community over the years, usually through a game of one-up-manship, establishing them as one of the most notorious bands around.Ĭertainly not the first band to be surrounded by myth and lore, EYEHATEGOD‘s staying and growing power ultimately comes from the music. Most people who know the band have a story to tell or they heard a story about the guys. Pretty impressive seeing as they haven’t released a full-length album in almost fifteen years. EYEHATEGOD is bigger now than they ever have been in their twenty-five plus years as a band. The thing with legends is that they grow stronger in time and over the years, word of mouth has been kind to the band. ![]() As a band that helped create a genre as well as equate a city with a sound, EYEHATEGOD has always remained humble anytime words like “legend” were thrown around to describe them.
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